Expert Reviews

This new work from Verghese (Cutting for Stone) is not just a novel; it is a literary landmark, a monumental treatment of family and country, as sprawling in scope as Edna Ferber's Giant. The story spans over 70 years and three generations of a family living in Kerala on the western coast of India, a place where water has as much significance as land. But for this family, water is also a curse; in each generation, one family member has died by drowning, and the fear of water looms ominously. The story begins with the awkwardness of the arranged marriage of 12-year-old Mariamma--later known as Big Ammachi (Big Mother)--to a man 40 years her senior, an arrangement with which neither bride nor groom is happy at first. But as time passes, the couple adjusts, and a deep love infuses their union and the generations that follow. Big Ammachi oversees her family with patience and wisdom, remaining present even after death. VERDICT Writing with compassion and insight, Verghese creates distinct characters in Dickensian profusion, and his language is striking; even graphic descriptions of medical procedures are beautifully wrought. Throughout, there are joy, courage, and devotion as well as tragedy; always there is water, the covenant that links all.--Michael F. Russo

Verghese's breathtaking latest (after Cutting for Stone) follows several generations of a South Indian family as they search for the roots of a curse. The watery setting of Travancore (later Kerala) is described in dreamlike terms, with "rivulets and canals, a latticework of lakes and lagoons, a maze of backwaters and bottle-green lotus ponds." There, a member of the Parambil family has drowned in each of the last three generations. The story begins in 1900 when a 12-year-old girl, who becomes known as Big Ammachi, marries a 40-year-old widower with a two-year-old son, JoJo. Big Ammachi sees the curse firsthand after discovering JoJo drowned at 10 in an irrigation ditch. At 16, she gives birth to Baby Mol, a daughter gifted with prophecy, and then to a son, Philipose, who becomes a newspaper columnist and marries Elsie, a beautiful and talented artist. They live in Big Ammachi's loving home with their son, Ninan, until an accident sends the couple reeling. Philipose becomes an opium addict and Elsie returns to her family, but they reunite briefly and have a daughter, Mariamma, until another tragedy leaves newborn Mariamma motherless. A parallel narrative involves Scottish surgeon Digby Kilgour, who runs a leprosarium, and by the end, Verghese perfectly connects the wandering threads. Along the way, Mariamma becomes a neurosurgeon and seeks the cause of the drownings, and the author handily depicts Mariamma's intricate brain surgeries and Kilgour's skin graft treatments, along with political turmoil when the Maoist Naxalite movement hits close to home. Verghese outdoes himself with this grand and stunning tribute to 20th-century India. Agent: Mary Evans, Mary Evans Inc. (May)

This new work from Verghese (Cutting for Stone) is not just a novel; it is a literary landmark, a monumental treatment of family and country, as sprawling in scope as Edna Ferber's Giant. The story spans over 70 years and three generations of a family living in Kerala on the western coast of India, a place where water has as much significance as land. But for this family, water is also a curse; in each generation, one family member has died by drowning, and the fear of water looms ominously. The story begins with the awkwardness of the arranged marriage of 12-year-old Mariamma--later known as Big Ammachi (Big Mother)--to a man 40 years her senior, an arrangement with which neither bride nor groom is happy at first. But as time passes, the couple adjusts, and a deep love infuses their union and the generations that follow. Big Ammachi oversees her family with patience and wisdom, remaining present even after death. VERDICT Writing with compassion and insight, Verghese creates distinct characters in Dickensian profusion, and his language is striking; even graphic descriptions of medical procedures are beautifully wrought. Throughout, there are joy, courage, and devotion as well as tragedy; always there is water, the covenant that links all.--Michael F. Russo

Following 2009's Cutting for Stone, which sold over 1.5 million copies in the United States alone, practicing physician Verghese's new work unfolds within the Christian community of Kerala, on southern India's Malabar Coast. At its heart is a family that suffers successive tragedies, with at least one person in each generation drowning to death. Despite its venerable traditions--the community supposedly dates from the time of the apostles--family matriarch Big Ammachi (i.e., "Big Mother") knows change is coming.

Following 2009's Cutting for Stone, which sold over 1.5 million copies in the United States alone, practicing physician Verghese's new work unfolds within the Christian community of Kerala, on southern India's Malabar Coast. At its heart is a family that suffers successive tragedies, with at least one person in each generation drowning to death. Despite its venerable traditions--the community supposedly dates from the time of the apostles--family matriarch Big Ammachi (i.e., "Big Mother") knows change is coming.